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FY
2005 Education Report |
Drama
for Learning; Drama for Life |
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Educational
Theater Programs for Youth |
Blue Apple’s
program is a reflection of our long-standing commitment to
making the magic of live theater a part of every child’s
educational experience. We believe theater can change lives.
For many
children – and their families – our program is
their first exposure to live theater and provides opportunities
to participate in theater education that otherwise they would
not have. Support for those most at-risk allows these children
and families to be full participants in the arts.
“I
liked it because it made me laugh. It was just a great play.
It was actually the first play I’ve seen.”
“If
I hadn’t been in the Blue Apple youth theater I would
still be sitting in the back of the classroom with no one
to be friends with or to talk to.”
A middle school boy
Drama
for Learning; Drama for Life programs range from
an in-depth residency to increase academic achievement for
every student at Western Middle School (92% at risk) to helping
teenage girls write and perform their own play about teen
pregnancy to interactive storytelling workshops for elementary
students
Program
Highlights: FY 2005
- 78%
of teaching hours were dedicated to in-depth theater residencies
in schools and community centers, with the remainder of
teaching time almost evenly divided between introductory
theater experiences and workshops that typically average
5 hours in teaching time.
- 39
new sites participated in programs, with a 56% increase
in the number of children served.
- Blue
Apple continued to deepen literacy-building components
in all theater programs. Examples include: students
writing their own play (Lincoln Elementary), writing their
own short stories (Byck Elementary), keeping theater journals
(Farnsley Middle) and participating in theatrical storytelling
programs at Family Literacy Nights (Blue Lick and Jacob
Elementary).
- Blue
Apple expanded its extensive evaluation process
by convening an end-of-year conversation with education
partners and participants called “Exploring
the Value of Drama in Education.” Over thirty
educators, parents, donors, and students attended to evaluate
and strengthen programming. A DVD is available.
- Programs
continue to produce significant, measurable results.
For example: at Western Middle School, students in our program
show a 74% increase on recent standardized tests.
An elementary teacher reported one student moving from “unsatisfactory”
in every area to “outstanding” after his involvement
with Blue Apple. These are just a few examples of documented
positive changes in behavior and academic achievement.
- 100%
of teachers attending the Archdiocese Summer Professional
Development gave the Blue Apple workshop the highest rating
available. All said they learned new strategies
to change their classroom teaching.
- Programs
included collaboration with Clarksville, Indiana and Louisville
Metro Parks, Louisville Free Public Library, Walden Theater,
the Kentucky Theater, Kentucky Center, and the Jewish Community
Center.
- Blue
Apple expanded the involvement of individual artists.
As part of the 8th Grade residency at Western Middle School,
Blue Apple invited dance artist Antoinette Crawford Willis
to teach students dances of the Harlem Renaissance as part
of preparations to attend the Derby Dinner production of
Ain’t Misbehavin’. Visual artist Stu Cox worked
with Lincoln Elementary students on set design
- Blue
Apple programs reached 12,203 youth pre-school to high school
from every zip code in Metro Louisville. Of these, 5,464
students participated in Drama for Learning; Drama for Life
programs. Over 6,739 students also attended educational
musicals. Touring productions of Blue Apple musicals reached
over 90,000 more students throughout a 10 state area.
Drama
Works!
Numerous
research studies for over 25 years document that disadvantaged
students’ involvement in theater arts leads to gains
in reading proficiency, motivation, and higher levels of empathy
and tolerance for others. These skills were more evident in
theater arts participants than for other arts areas. (J. Catterall,
UCLA) We are seeing such results with our program.
Blue
Apple Players has been at the forefront of evaluation of its
programs with published studies as early as 1993 on the power
of its musicals to change attitudes and behavior of youth.
In our program evaluation, there were four key areas where
we believe our theater education program will help. These
include:
- Understanding
theater/acting – 89% responded, yes it helped
- Doing
work in other classes (writing, thinking, etc.) –
92% indicated it helped
- Communication
Skills (written & verbal, creativity) – 96%
responded, yes it helped
- Working
with others/cooperation skills – 98% responded,
yes.
Blue
Apple’s extensive evaluation process uses participant
surveys (students, educators, and family), standardized test
data as available, and ongoing conversations with participants
to guide continuous program improvement and effectiveness.
The process also incorporates the 40 Developmental Assets
– the standard for youth programs nationwide. Dr. Pedro
Portes, Chair for the Department of Educational Psychology
at the University of Louisville and Richard Lichvar, Research
Analyst at US Bank help Blue Apple with its evaluation design
and the analysis of data. (Some year-end evaluation data is
continuing to be analyzed by Mr. Lichvar and will be added
to an updated report in August.)
This year,
as a result of conversations with one of our Foundation partners,
Blue Apple developed a new evaluation component that gathered
educators, students, donors (individual, corporate, government,
foundation), and parents to discuss the impact of these programs,
the challenges, and areas for improvement. All participants
wish this to become an annual event. This is the type of partnership
that has ensured an effective program, which is a process
of continuous improvement.
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What
students, teachers, and parents have to say………
“I
learned that I have good leadership qualities. I think
I have come to respect people
more and judge them on their actions instead of what
they might look like. Most important, though,
I’ve made some new friends and had some new experiences
that hopefully, will stay with me forever.”
Middle School Student
“I
learned that in New York during the 20s-30s it wasn’t
all about the mafia. It was a poetic age. Women actually
got the right to vote and Langston Hughes made beautiful
yet weird poems.”
Student, Farnsley Middle School
“The
culminating project, Clarksdale: Our Neighborhood, and
the documentary piece were phenomenal. The students
are more cooperative in the classroom.
They continue to exhibit the connectedness to one another
that was borne during the project.”
Sonya Unseld, Principal
Observing
the process of one student in the acting group after
the Clarksdale project: “This
student had gotten all U’s (unsatisfactory) first
semester and now he has O’s (outstanding) and
A’s!”
Sarah Reed, Teacher
“After
Storytime, the children wanted to see if the school
library had an Anansi book to read. They were talking
about the story the rest of the day and next day.”
Teacher, St. Albert
“This
student has serious emotional problems and usually withdraws
altogether – or acts out. However, during Blue
Apple classes, he volunteered to perform or lead or
answer questions.”
Teacher, Western Middle School
“I’ve
learned to use some of Blue Apple’s drama techniques
in my work with parents.”
Frances Royster, Lincoln Elementary
“…She
credits her teacher with the Blue Apple Players, with
helping her to appreciate the idea of developing suspense
in a short story. Ms. Mapother has caused her to delight
in the creative process and to see that it is a process
– not an assignment with rigid limits. But most
striking is her realization that her ideas are important
and there is value in expressing herself either
aloud or on paper.”
Middle School Parent
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